Friday, October 10, 2014

Let's Talk Book to Movie with Guest Blogger Spencer Blohm


Books have always been inspirations for film. It’s no wonder, since novels have lots of plot and character depth, which means scriptwriters and filmmakers have plenty to work with when creating a movie. Below, you’ll find a recent movie adaptation, and the news surrounding it!

I haven't done a B2M talk in a while, so lets get to it! This year has certainly been full of movie adaptations. Many from the YA genre, some dystopian in theme, all from books I have read and really enjoyed. I'm sure you are all familiar with James Dashner by now. His Maze Runner trilogy has gained a lot of popularity since the first book's release back in 2009. He is also the author of the juvenile series, The 13th Reality and the YA series, The Mortality Doctrine. The Maze Runner (which happens to be the only series of his I read,) has been adapted to film and was released September of this year! Media blogger Spencer Blohm has returned to discuss the movie and how it compares to the book.


If you ain’t scared, you ain’t human.

When Thomas wakes up in the lift, the only thing he can remember is his name. He’s surrounded by strangers—boys whose memories are also gone.
Nice to meet ya, shank. Welcome to the Glade.
Outside the towering stone walls that surround the Glade is a limitless, ever-changing maze. It’s the only way out—and no one’s ever made it through alive.
Everything is going to change.
Then a girl arrives. The first girl ever. And the message she delivers is terrifying.

Remember. Survive. Run.





Spencer Blohm on The Maze Runner

A boy named Thomas awakens in a metal box, with no memory of his life, as he is carried into an unfamiliar place called the Glade – that is where James Dashner's dystopian novel (as well as the 2014 film adaptation), The Maze Runner, begins. The Glade is home to a society of boys, all of whom came to be there in the same way that Thomas did, remembering their names, but nothing else of their past lives. Supplies arrive from an unknown source every week, but to survive, the boys must farm their own food as well.

Outside of the Glade is where the true action is, in an expansive maze with terrifying monsters called grievers roaming through it. Some of the boys, the “runners” of the group, are tasked with exploring the maze in hopes that they can find a way to escape the Glade. Things become even more complicated when Teresa, the only girl ever to be sent to the Glade, arrives with a cryptic message that everything is about to change. According to her, she will be the last child sent into the mysterious entrapment. Thomas and the other Gladers race to find a way out of their prison, but as they come to understand more about it, the task appears increasingly impossible.

In September, the film adaptation of The Maze Runner was released to theaters. Like nearly any story that has gone from the page to the screen, there are some minor and a few major differences between the book and the film. In the novel, the grievers are described as having slug-like qualities, while in the film they seem to be much more like spiders. The roles of some of the characters are slightly altered as well; for example, in the novel Ben, who is one of the "builders" in the Glade, is eventually banished into the maze, where it’s assumed he will die. In the film his story is roughly the same, but this time the character is a runner, which means his knowledge of the maze is vast, and his banishment is slightly less grim.

The most significant changes from the book to the film have to do with one of the main protagonists, Teresa. In the book, she slips into a coma almost immediately after arriving in the Glade and delivering her message, which forces her to create a telepathic link with Thomas in order to communicate. In the film, Teresa spends zero time in a coma, and there is no mention of telepathic abilities. These changes seem to have been made in order to keep the story in motion, and perhaps to simplify an already complicated story. Telepathy, after all, is not easily explainable.

The film version of The Maze Runner has done fairly well both critically and financially. As one of the latest in the dystopian craze, and following the success of major hit The Hunger Games, it has yet to imitate the success of the bestseller. Still, anticipation seems to be high for the series, since it currently has a 62% "fresh" rating on Rotten Tomatoes, a score of 56 on Metacritic, and it made 32.5 million dollars during its opening weekend. For those unsure if they’re willing to splurge to see the first in theaters, DTV’s on demand, Amazon Instant Video, and others will have the film available in the next month. 

The Maze Runner is the first in a trilogy of books by James Dashner, and due to the success of the film, the second book in the series, The Scorch Trials, is now being adapted into a film as well – it is due to be released sometime in late 2015.

Big thanks to Spencer for making this B2M Talk happen! I have not seen the movie yet, but I am planning to soon. Honestly, my feelings were mixed after reading The Maze Runner. I enjoyed it, I really did. But it did not provide the "Wow," that so many readers speak of. Often when that is the case, I enjoy the movie more--GASP! Admittedly, October is my horror binge month, and I am doing 30 Nights of Horror. But, Maze Runner is top on my list for when I return to viewing normalcy. In fact, I just watched Horns starring Daniel Radcliffe, which was adapted from the book Horns by Joe Hill. So, stay tuned for another Let's Talk Book to Movie! 



Wednesday, October 8, 2014

Mainstream Review: The Miniaturist By Jessie Burton

The Miniaturist By Jessie Burton
Published August 2014 Ecco an imprint of HarperCollins

"There is nothing hidden that will not be revealed…"

Set in seventeenth century Amsterdam-a city ruled by glittering wealth and oppressive religion-a masterful debut steeped in atmosphere and shimmering with mystery, in the tradition of Emma Donoghue, Sarah Waters, and Sarah Dunant.

On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office-leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.

But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist-an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .

Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand-and fear-the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?

Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.

You can purchase your copy of The Miniaturist on


~ My Review ~

** Copy received from the publisher (Ecco an imprint of HarperCollins) in exchange for my honest review **

I want to start by saying that I am extremely selective about my historical fiction. Since I am by no means a history buff, nor a history enthusiast, I often find it taxing to read a work of historical fiction. However, The Miniaturist had such a delectably interesting synopsis, with its talk of a mysterious craftsman and a household blanketed by secrets, that I became genuinely excited to read it. 

And yes, The Miniaturist is technically historical fiction, but it is so much more than that. The plot is strong and multidimensional, taking you through its layered story in such an eloquent way. Jessie did a superb job recreating 17th century Amsterdam with remarkable period detail. She has allowed her readers to be immersed in the culture and time period without overshadowing any part of the story-line. In other words, I was so engrossed in The Miniaturist that, "this is historical fiction," never crossed my mind. This world and its characters--much like the figures in Petronella's cabinet--meld so well, you cannot imagine trying to place them anywhere else. 

From front to back of this book I had such affection for Petronella. Her character never wavered for me. In fact all of the characters living in these pages were well constructed, each with their own unique presence. Watching the growth and interaction between the members of the Brandt household was truly intriguing. The only part of the Miniaturist that confused me was the magic element of the Miniaturist herself. When you are first introduced to this prominent figure, you are given the allusion that she holds the answers and know all that Petronella seeks. In fact she even appears prophetic, bestowing gifts of just the right miniatures and pulling back the curtain on well protected secrets. I even went as far as to think she would grow in her role to savior of the household, by the end of the book. However, she remained a mystery, not quite living up to her significance. 

There was a lot of hype built up behind this book, and I can understand why. Although, some aspects could be more fleshed out, this story is shocking and intense. Jessie Burton is definitely an author to look out for and I will be waiting for her second novel with anticipation!